Mobile Forms: Parisian Abstraction to Amerindian Pop juxtaposes Alexandra Roussopoulos’ curvilinear shaped canvases, minimalist self-abstractions (libre et mobile formes), and skin-like geometries with the work of experimental Canadian First Nation artists

From mobile formes to form lines, Western European thought and feminism, on one side, and First Nations’ art practices and post-colonialism, on the other, come together in dialogue.